bands crossing the Atlantic in search of fame. There's a lot of energy surging from Hard-Fi on its debut album, "CCTV."įirst impressions are important to the British band on a mission to break through and stand out among the slew of U.K. But at least Gilmour has proven the spirit of Pink Floyd is alive and well within him. Sometimes, it can be overtly sentimental to the point of saccharine ("I light a campfire away from the path / We lie in the bluebells, a woodpecker laughs"), but for the most part, it's soothing, sweet and comfortable, like a favorite blanket.īut it's Gilmour's unmistakable guitar technique - employing hammer-ons, pull-offs and bending strings for what seems like an eternity - that provides the glue. And if that isn't Floyd-esque enough for you, Wright sings co-lead vocals on the third track, "The Blue."Īlthough this isn't a concept album in the vein of "Animals" or "The Wall," there is a consistent theme throughout "On an Island": it's essentially a love letter to Gilmour's wife, Polly Samson, who co-wrote six of the 10 songs. That song segues directly into the title track, on which Graham Nash and David Crosby provide harmony and Floyd bandmate Richard Wright lends a hand on keyboards. ![]() You're reminded of just how integral Gilmour was (is?) to Floyd from the opening track, "Castellorizon," a prog-rock instrumental with muted instruments, disembodied voices and synthesizers. "On an Island" is more reminiscent of Floyd circa "Atom Heart Mother" (1970) or "Meddle" (1971), when it was still a cult band known more for its stream-of-consciousness instrumentals than lines like "leave those kids alone!" First things first - David Gilmour's third solo album, his first since 1984, sounds like Pink Floyd.īut not the mega-selling Floyd that most casual fans are familiar with, the concept-laden, neurosis-ridden vehicle that served as a catharsis for Roger Waters' anxieties.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |